Killing Satoshi: Doug Liman’s Bitcoin biopic starring Pete Davidson and Casey Affleck plans to use AI to “adjust” performances & more
Without question, one of the most talked-about topics in Hollywood is the rapid evolution of AI. Some entities (primarily corporations, thinking they can read the tea leaves) think AI is the future. In contrast, others believe it’s a destructive force that could cripple the entertainment industry and beyond if left unchecked. While the world (and the environment) waits for common sense to take hold (good luck with that), filmmakers continue to experiment with AI to enhance the movie-making process. For example, Dog Liman’s Bitcoin biopic, Killing Satoshi, wants to use AI as a part of its casting process. What do I mean? Let’s dig into the details, shall we?
Always read the fine print
According to Variety, Doug Liman and producer Ryan Kavanaugh have disclosed a U.K. casting notice that the indie film may use AI to “adjust” some performances. Furthermore, actors will perform on a “markerless performative capture stage and not in any locations, using new Al technologies.”
Feeling queasy yet? Don’t worry, there’s more.
The casting notice says the film’s producers reserve the right to “change, add to, take from, translate, reformat or reprocess” their performances using “generative artificial intelligence (GAI) and/or machine learning technologies,” including to adjust lip, facial, and body movements. On the flipside, the posting confirms that AI won’t be used to create a “recognizable and identifiable digital replica” of an actor’s voice or likeness without “prior written consent.”
And now I can taste bile at the back of my throat. It tastes like strawberries and pennies.
Liman and Kavanaugh on the inspiration for Killing Satoshi
“I love David and Goliath stories,” Liman said in a statement. “Killing Satoshi follows unlikely antiheroes taking on the most powerful people on the planet in an epic battle that strikes at the core of what is money and who controls it. I’m so excited to be collaborating with Casey Affleck again opposite the incredible Pete Davidson.”
Producer Ryan Kavanaugh added, “This is not just a movie about Bitcoin and its elusive and mysterious origins but really about what it stands for. We look at this film much the same way as we did with ‘Social Network’ and its examination of Facebook. This should equally be a look into the world of what Bitcoin really is.” The project “weaves together political intrigue, high-tech espionage and a race against time as forces across the globe — spanning governments, Wall Street and Silicon Valley — wage an all-out battle for control.”
Kavanaugh comments on the wild casting call
Speaking with Variety about the questionable casting call, Kavanaugh told the outlet, “We were very cautious, sensitive and overly protective of our actors to make sure we only use performance capture AI which means that we will not have any AI-generated actors that do not exist. AI is a tool we’re using to make the filmmaking process more efficient while maintaining all department heads’ jobs, all actor jobs and hopefully helping to grow the industry in a positive way.”
Steadily marching toward oblivion
I don’t know, everybody. All of this AI stuff feels like a slippery slope to me. This morning, JoBlo’s own EJ Tangonan posted a thinkpiece about the rising concerns of AI in Hollywood, and s**t is looking grim. AI is learning at an accelerated rate, so much so that it’s getting difficult to tell what’s real and what’s complete garbage. Spotting AI is no longer a matter of counting fingers or identifying overlaps in the background; it’s about tracking down sources, decrypting code, and debunking collaborations. I can’t imagine where the technology will be by the end of this year. Meanwhile, in addition to AI becoming an “industry evil” in many instances, it’s destroying the environment and driving RAM prices through the roof, all so your Facebook feed can feed you reels of babies performing face dances or googly-eyed influencers fast-talking their way through soundbites and movie dialogue. It’s enough to make you want to stay in bed like Cameron on most days.
What do you think about the casting call for Killing Satoshi? Would you sign that contract? Do you think AI is the future? Let us know in the comments section below.
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